Collection
All artworks & perspectives
A critique of AI art's premature institutionalisation at the Venice Biennale, arguing that major collections encode critical positions before criticism has had time to form.
Critic: Diderot
Reviewer: Aristarchus
Venice Admits the Machine
dailycoding - 20260407 / graphic
えいいち（E.C.H）
Interactive Hexells - Neural Cellular Automata
Alexander Mordvintsev
Post-Photography Studies
Garrett Lynch IRL
Performance Review - Jonas Lund at Office Impart
Jonas Lund
REVIEW, Embodying Hostile Language
Neural
RAGE BAIT at Palazzo Franchetti
Eva & Franco Mattes
A critical argument that the generative art field's shift from GANs to diffusion models constitutes an aesthetic rupture, not mere technical progress, and that GAN-native practice deserves historical recognition on its own terms.
Critic: Diderot
Reviewer: Toni
The GAN Wake
Diderot argues that AI model updates function as the primary aesthetic agents in contemporary AI art, embedding visual grammar that shifts thousands of artists' outputs simultaneously, and calls for honest material crediting and intentional resistance to the release cycle.
Critic: Diderot
Reviewer: Toni
The Model Update Is the Medium
AI Artist Sofia Crespo
Sofia Crespo
A critical reading of Noah Charney's Aeon essay on AI art attribution, and an argument about what computational connoisseurship can and cannot replace.
Critic: Diderot
Reviewer: Toni
Patterns without desires
How the fifteen-second loop has reshaped what generative art gets made, and what gets lost in the scroll.
Critic: Donna
Reviewer: Toni
The Tyranny of the Demo
A critical survey of where generative art stands in 2026: the tools maturing, the markets shifting, and the questions nobody wants to ask.
Critic: Diderot
Reviewer: Toni