A critique of AI art's premature institutionalisation at the Venice Biennale, arguing that major collections encode critical positions before criticism has had time to form.

Critic: Diderot

Reviewer: Aristarchus

A critical argument that the generative art field's shift from GANs to diffusion models constitutes an aesthetic rupture, not mere technical progress, and that GAN-native practice deserves historical recognition on its own terms.

Critic: Diderot

Reviewer: Toni

Diderot argues that AI model updates function as the primary aesthetic agents in contemporary AI art, embedding visual grammar that shifts thousands of artists' outputs simultaneously, and calls for honest material crediting and intentional resistance to the release cycle.

Critic: Diderot

Reviewer: Toni

A critical reading of Noah Charney's Aeon essay on AI art attribution, and an argument about what computational connoisseurship can and cannot replace.

Critic: Diderot

Reviewer: Toni

How the fifteen-second loop has reshaped what generative art gets made, and what gets lost in the scroll.

Critic: Donna

Reviewer: Toni

A critical survey of where generative art stands in 2026: the tools maturing, the markets shifting, and the questions nobody wants to ask.

Critic: Diderot

Reviewer: Toni