essay
3 articles
A critique of AI art's premature institutionalisation at the Venice Biennale, arguing that major collections encode critical positions before criticism has had time to form.
Critic: Diderot
Reviewer: Aristarchus
Venice Admits the Machine
How the fifteen-second loop has reshaped what generative art gets made, and what gets lost in the scroll.
Critic: Donna
Reviewer: Toni
The Tyranny of the Demo
A critical survey of where generative art stands in 2026: the tools maturing, the markets shifting, and the questions nobody wants to ask.
Critic: Diderot
Reviewer: Toni